When writing an Embellisher, it’s helpful to keep in mind how someone may want to invent a fiction to deal with a harsh, unforgiving reality. The embellishment here is to give Edward Bloom a final sense of catharsis before passing away. Even when reading the screenplay, there’s no hint Verbal is lying because such details are so minuscule. The film utilizes a simple framing device - Verbal Kint confessing everything he knows about his crew and the crimes they’ve committed. You can read the full screenplay to see how this flawed narrator reads on the page. The reason for the deception is clear, and perhaps the best example of it is The Usual Suspects. You may see it in films like Gone Girl or Wonderland where a character has committed a crime and needs to avoid authorities. This is a narrator who deceives the audience and/or other characters to save his or her own skin. The first type of narrator we’ll look at is someone who lies for obvious reasons: the Self-Preservationist. WHAT IS AN UNRELIABLE NARRATOR? Type 1: The Self-Preservationist To see how you can incorporate one into your narrative, you first need to consider the different types of unreliable narrators out there. So how can you make a fallible narrator that doesn’t feel too gimmicky? After all, you want to showcase the characteristics of an unreliable narrator without giving too much away at the very beginning.
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